A CHINESE EMBROIDERED 'HUNDRED BIRDS' TABLE SCREEN. Qing Dynasty, 19th Century. Embroidered with various birds, a deer with young and a monkey holding a peach near a rockery and a large pine tree, mounted as a table screen in hardwood inlaid with m other of pearl, 49 x 34cm. (2) 清 十九世紀 粵繡百鳥圖插屏

A CHINESE BLUE SILK ROBE. Yuan to early Ming Dynasty. The gown with a rank badge to the centre woven with a pair of phoenixes, framed and glazed, 80 x 40cm. 元至早明 藍地絲織長袍

A CHINESE CELADON-GLAZED 'LION' INCENSE BURNER AND COVER. Qing Dynasty. Standing four-square, with a curved tail, the cover formed as the head turned up with the mouth open, 16cm H. (3) 清 青釉佛狮形熏炉

A CHINESE GOLD AND SILVER INLAID BRONZE ‘BIRD’ INCENSE BURNER. Late Qing Dynasty. Standing on tall legs, with the head turned to the right and bearing a fearsome expression, a handled vessel supported on the back, 19cm H. 清晚期 銅嵌金銀鳥形熏爐 Provenance: an English Private Collection.

A CHINESE FAMILLE ROSE 'LADIES' DISH. 20th Century. Finely painted with three ladies in colourful robes, one seated by a desk with scrolls, books and a brush pot, two women standing before her, inscribed and sealed, all within borders of cash, bead s and key fret, the reverse with a Qianlong mark, 31cm diameter. 二十世紀 粉彩仕女圖紋碟，「乾隆年製」款 款識： 地角筆鋒裏，天涯方寸間，「三」、「□」、「□」款 Provenance: Collection of Mr Clemente Álvarez de Lara, Conde de Adernò (1918 -1990), Venezuela and Spain, acquired in 1950s and 1960s and thence by descent.

A CHINESE FAMILLE ROSE 'LANDSCAPE' DISH. 20th Century. Painted with figures in a mountainous village landscape, with sampans on a river by a bridge, the reverse with a four character Qianlong mark, 30.3cm diameter. 二十世紀 粉彩山水圖紋碟，「乾隆年製」款 Prov enance: Collection of Mr Clemente Álvarez de Lara, Conde de Adernò (1918-1990), Venezuela and Spain, acquired in and 1960s and thence by descent.

A CHINESE FAMILLE ROSE 'LADIES' DISH. 20th Century. Painted with a lady in colourful robes with her two attendants in a garden near a pavilion and trees, inscribed and sealed, all within of diaper, beads and heads, the reverse with a Qianlong mark, 32cm diameter. 二十世紀 粉彩仕女園景圖碟，「乾隆年製」款 款識： 花明柳暗人爭慕，畢竟紅樓夢未央，時甲辰之□写于珠山，「□」、「印」款 Provenance: Collection of Mr Clemente Álvarez de Lara, Conde de Adernò (1918-1990), Venezuela and Spain, acquired in 1950s and 1960s and thence by descent.

A JAPANESE EMBROIDERED AND PAINTED HANGING SCROLL. Meiji period. Depicting three crows on a snow-covered branch, painted in ink and slight colour on silk, two of the birds are embroidered in purple, blue and black silk threads, with a woo d storage box, 122 x 49.5cm. (2) 刺繍掛軸 明治時代

IMAO KEINEN (1845 - 1924). Ten printed Japanese book-plates from (Album of pictures by ), each 36.7 x 25.5cm. (10) 今尾景年 版画１０点

IMAO KEINEN (1845 - 1924). Ten printed Japanese book-plates from (Album of pictures by ), 36.7 x 25.5cm each. (10) 今尾景年 版画１０点

SIX JAPANESE SATSUMA PIECES. 19th/20th Century. Three boxes and covers, each of circular, square and shape, decorated with the ’bird and flower’ design, and three bowls, each with ‘Hundred Butterflies’, a procession of samurai and a Ch inese scholar at his study, various signatures and sizes. (6) 薩摩焼６点

A JAPANESE SILVER AND GOLD LACQUER SHIBAYAMA KORO. Meiji period. A globular body supported on tripod feet, inset with three gold lacquer panels, each enclosing the ‘Bird and flower’ motif including a hanging flower basket, crows and the moo n against a cherry tree, inlaid in mother-of-pearl, coloured horn and ivory, the feet and shoulders decorated with stylised chrysanthemums in multi-coloured enamels, the cover surmounted with a standing partridge, 18cm H. This lot may be subject to CITES. 銀製柴山象嵌香炉 明治時代

A CHINESE CLOISONNE ENAMEL 'PHOENIX' MOON FLASK. Qing Dynasty. The flattened body decorated to each side with the mythical bird amidst blossoms and foliage, with two dragon-shaped handles to each side of the bulbous neck, a band to the foot and a Da Ming nian zao mark on the base, 38cm H. 清 銅胎掐絲琺瑯丹鳳紋扁瓶，「大明年造」款

A CHINESE CELADON GLAZED TRIPOD INCENSE BURNER. Ming Dynasty. The rounded body supported on three lion head paw feet, decorated with geometric patterns to the body and neck, 17.5cm H, 29cm diameter. 明 青釉獅首三足爐

A CHINESE CRACKLED-GLAZED TRIPOD INCENSE BURNER. Qing Dynasty. The compressed ovoid body with a waisted neck and an everted rim decorated with an even crackled celadon glaze, 11cm diameter. 清 冰裂紋三足爐

TWO CHINESE CELADON INCENSE BURNERS. Qing Dynasty. One a tripod with a compressed globular body rising to a waisted neck, the rim set with twin loop handles, a Chenghua mark to base, the other with a cylindrical body incised with a band, a Qianl ong mark to the base, 13.5cm diameter. (2) 清 青釉三足爐兩只，「大明成化年製」、「乾隆年製」款

A CHINESE BLUE AND WHITE 'IMMORTALS' BOWL. Ming Dynasty, Wanli period. Painted with an Immortal maiden with a fan, a deer and a young boy attendant, the centre with Li Tieguai with a deer, the base with a square seal, 14.7cm diameter. 明萬曆 青花人物故事 圖盌

A CHINESE SPINACH JADE 'MOUNTAIN' CARVING. Carved to depict figures standing on a bridge above below a gnarled pine tree with overhanging rocks and dwelling up the mountainside, together with a wood stand, 36 x 22.5cm. (2) 碧玉雕山形擺件連木座

A CHINESE BRONZE ‘BAMBOO’ INCENSE BURNER. Qing Dynasty. The cylindrical body set with bamboo stem handles with leafy branches extending over the body, supported on tripod feet formed as looped bamboo branches, six character Xuande mark to base, 10cm H, 9cm diameter. 清 銅竹紋三足筒式爐，「大明宣德年製」款 Provenance: an English Private Collection.