A reproduction Georgian design mahogany L-shaped desk, with leather inset top over four drawers, 152cm wide

An Art Deco style figured walnut low cabinet, with a single drawer and open tiers, 70cm wide; together with a similar walnut occasional table, and a later bentwood stool with a faux leather seat (3)

An Art Deco style maple kneehole dressing table, 20th century, fitted with two drawers and a single cupboard, with 'Practical Furniture' trade label, 99cm wide

A Hans Wegner J16 beech rocking chair, with a comb back and woven sea grass seat

An octagonal oak centre table, mid-20th century, with detachable top on squared legs and a lattice stretcher, 51cm wide; together with an Art Deco style figured walnut two-tier circular occasional table, and a pair of 20th century Biedermeier style e lm side chairs with curved backs and sabre legs (4)

A Red Conran desk, model 51, 142cm wide; together with a matching chair (2)

An Art Nouveau mahogany sideboard, with raised superstructure and three glazed doors, the main body with two drawers, supported on shaped legs with a lower shelf, 165cm high x 47cm deep x 159cm wide

A caned hardwood plantation chair, with folding leg supports on turned baluster legs

A set of seven dining chairs, mid-20th century, upholstered in buttoned pale blue velvet, on maple sabre legs (7)

Four framed portrait miniatures, 19th Century, including one of Admiral Exmouth, one of a gentleman with a backing with hair and a blue enamel band surround, and one of a gentleman with a blank back (possibly intended for hair) (4)

A small collection of framed portrait miniatures, 19th Century, to include one of Lady Berthov, dated 1806, one of Miss Ellen Austed, a pair of portraits of Miss Carleton, and one of a lady wearing a hat (5)

A framed portrait miniature of King George III, 19th Century, together with a portrait of his daughter Princess Sofia (2)

A small group of gentleman's accessories, Including a set of three 15ct gold studs, a pair of mother-of-pearl cufflinks with diamond centres and white enamel borders, and a mothe-of-pearl dress set including cufflinks, four square buttons and three r ound buttons, studs with UK hallmarks, each set cased (3)

A Dutch style six-branch brass ceiling pendant light and a pair of matching twin-branch wall sconces; together with further brass light fittings including a wall mounted picture light, an adjustable wall light, three foliate wall sconces (two single and one twin-branch), and three twin-branch wall lights (11)

An Italian six-branch crystal chandelier with prism drops; together with two crystal 'bag' ceiling lights, and a ceiling light hung with amethyst glass drops (4)

Seven woolwork cushions; together with a length of printed and glazed cotton and a framed panel (9)

George Verbanck (Belgian, 1881-1961), an Art Deco plaster figure group of parents with their child, raised on a deep rectangular base, signed, probably produced as a maquette for a bronze, 75cm high

A small group of jewellery, Including an amethyst and diamond pendant, mounted in 9ct white gold, a cabochon onyx 9ct gold dress ring, a pair of shell cameo 9ct gold earstuds, a silver watch, by George Stockwell, 1914, with light blue guilloché ename l case, bracelet deficient, enamel loss, and a 9ct gold medallion for the Association of Master Bakers, circa 1968, in presentation box, each with UK hallmark or import marks (5)

A 9ct gold propelling pencil by Sampson Mordan & Co, with engine turned decoration, 10cm extended (12.6g gross)

A pair of teak accordion wall lights, mid-20th century, with white fabric shades, 90cm high (2)

In the manner of Francois Linke, a fine French ormolu mounted kingwood and mahogany side cabinet, circa 1900, the galleried variegated rouge marble top over two grille doors and a deep drawer, on square tapered feet, 98cm high x 72cm wide x 36cm deep

A French green patinated bronze figure, 19th century, modelled as a seated putto feeding a dove, raised on a circular black marble plinth, later converted to a lamp, 25cm high

A pair of stonepaste dishes with pink floral decoration, early 20th century, of circular form with sloping rim and overglaze painted floral designs, Chinese-style motifs on the outer rim, mounted on iron frames, 27.3cm diam (2)

A Biedermeier style circular walnut breakfast table, the segmented veneered top on octagonal pillar and scrolled tri-form base, 122cm diameter

A pair of large burr walnut photograph frames, 20th Century, by David Lindley, London, inlaid with mosaic decoration, both 35.5 x 30.5cm; together with a small matching frame, 18.5 x 23cm (3)

An Continental gilt metal four-light candelabra standard lamp, early 20th Century, the sconces as flower heads arranged amongst foliage, raised on three splayed legs, 142cm high

20th Century School, a classical portrait study of a semi-nude child seated upon a rock in a garden setting, oil on canvas, 62 x 50cm, in a heavy gilded frame

A collection of Japanese ivory Netsuki, Meiji period, to include two figural groups of woodworkers, a family group, and a musician; together with two 19th century Cantonese carved ivory chess figures of a King and Queen, a carved and pierced ivory pu zzle, and others (14)

A pair of Royal Doulton stoneware vases by Mary Butter, early 20th Century, with raised decoration comprising four panels of white flowering foliage, with a Slater's patent gilt top, impressed factory marks, monogrammed 'M.B.', 28cm high; together wi th four mid-20th century Royal Doulton porcelain figures of ladies, to include 'Bride' (HN2873) and 'Karen' (HN2388) by Peggy Davies, 'Lorna' (HN2311), and 'Laura' (HN2960) (6)

Two Art Deco ceiling lights, early 20th Century, both with three frosted shell panels; together with four wall lights with frosted shell shades including three pink and one clear (6)

A collection of seven French Art Deco style glass photograph frames, mid-20th Century, including plain and amber glass examples (7)

A French mahogany display cabinet, late 19th/early 20th century, with a mirrored back, clear glazed door and sides, and a shaped top, the cabinet with well cast ormolu embellishments, 73.5cm high x 28.5cm wide x 15cm deep

A Gentleman's stainless steel wristwatch by Alfred Dunhill, with integral bracelet

Three boxed pairs of Alfred Dunhill glasses, including two with tortoiseshell frames and one with a steel frame (3)

A gold plated Alfred Dunhill ballpoint pen; together with a black resin example (2)

A pair of cufflinks, by Bulgari with enamelled centres (2)

A modern coffee table of small size, painted in polychrome with a marble effect, 51cm high x 80cm wide x 60cm deep; together with matching console table, possibly American, 73cm high (2)

***WITHDRAWN*** A rhinoceros horn bead necklace, circa 1900, 38cm long, 81g ***WITHDRAWN***

A collection of sterling silver items, to include a pair of salts, a double picture frame, a Chinese vesta case, together with various small boxes, spoons, and others (Q)

A set of four Chinese Botanical watercolours, 19th century, each depicting native plants, signed lower-left with three character letters, 53 x 40cm (4)

Dionisio Blanco (Dominican, b.1953), 2011, oil on canvas, signed and dated front, signed, titled, dated and inscribed verso; canvas 76 x 102cm

A Jaeger LeCoultre gilt metal four-glass mantle clock, 20th Century, complete with original box

An statue of an immortal, early 20th Century, modelled standing wearing a long robe, holding the peach of immortality, 28cm high; together with another two figures of dignitaries and a late 19th Century Chinese wood carving of Shoulao, 19cm high (4)

After Myles Birkett Foster R.W.S. (1825-1899), a pair of early 20th Century heightened coloured prints, landscape view of Mediterranean harbour at Bellagio - Lake Como, with boats and figures at summertime, 24 x 16cm, re-framed in the 1970's in Eastb ourne (2) FOOTNOTES: One of his watercolours depicting 'Lake Como' was the first Continental subject exhibited by Birket Foster at the Royal Watercolour Society in 1867.

A novelty bronze effect Art Nouveau style lamp, 20th Century, modelled as a stretching cat, the tail supporting an iridescent glass shade, 45cm high

A North Indian white metal twin handled elephant trophy, early 20th Century, embossed to both sides with cartouches of elephants surrounded by palm tress, raised on a circular wooden base, 36cm high

A pair of Vienna style jewelled porcelain pedestal urns and covers, late 19th Century, of neoclassical shape, each painted with mythological vignette panels, including 'Paris and Helena', 'Edward and Eleonora' and 'Europa and the Bull', both signed A . Keil, 26cm high (one damaged) (2)

A gilt bronze Empire style Lyre clock garniture, late 19th Century, the candlesticks modelled with classical bronze figures, the bases set with Sevres style porcelain pictorial plaques (3)

Isabelle Brent (French, b.1961), 'Garden of Eden', a medieval style watercolour, mounted, framed and glazed

A painted bisque porcelain portico clock, 20th century

A pair of French porcelain lamps, late 19th Century, possibly Samson, Chinoiserie decorated in famille rose style, together with shades (2)

A collection of miniature watercolours of steam trains and tenders, 19th Century, from the 'London, Brighton and South Coast Railway', mounted, framed and glazed as one

A shaped red lacquered mirror, circa 1930's, decorated in Chinoiserie style with raised motifs, 43 x 47cm; together with another shaped mirror with reverse engraved decorative detail, 65 x 35cm (2)

Edwin Augustus Porcher (British, 1824-1878), a set of four scenic watercolours, including 'Oak Hill, Barnet 1872', 'Llandudno', 'Anstey Manor 1869', and 'Shakespeare Cliff 1874', 21 x 35cm (4)

An interesting collection of ceramics and glass, 20th Century, to include a Kosta Boda Open Minds footed glass dish by Ulrica Hydman-Vallien, 19cm high, a Copenhagen Faiance black and yellow fruit pattern vase by Nils Thorsson, 19cm high, a Monart gl ass vase (drilled), a Haviland Limoges Alain Thomas panda dish, two Limoges boxes, and a studio vase (7)

A four-glass brass mantle clock with mercury pendulum

BOOKS: 'Handbook of the Birds of the World', vols. 1-5, published by Birdlife International; together with Sydney Humphries, 'Oriental Carpets, Runners and some Jacquard Reproductions' (1910), published by Adam and Charles; Bury Palliser, 'A History of Lace'; and 'The Complete Encyclopaedia of Antiques' (1962), published by The Connoisseur (8)

Alcott (Louisa May) Little Men. Life at Plumfield with Jo's Boys, FIRST AMERICAN EDITION, frontispiece, original cloth, top edge green slightly faded, some light wear to extremities, slight crack to front joint, stain to fore-edge of front ads, book plate to flyleaf, 8vo., Boston, Robert Brothers, 1871.

Amis (Martin) Dead Babies, a fine copy, book label to pastedown, 1975; Success, 1978; Other People: A Mystery Story, 1981; London Fields, signed by the author, 1989; Time's Arrow, signed by the author, 1991, ALL FIRST EDITIONS, original boards, dust- jackets, Jonathan Cape; with 9 other first editions by the same author, including some signed, 8vo (14)

Bates (H.E.) The Black Boxer Tales, FIRST EDITION, bookplate, inscribed by the author on the flyleaf to F.G. Robinson. advertisement leaf, manuscript page (corresponding to pp. 46-47 in the book and including many variations to the published version ), minor spotting to pastedowns and free endpapers, original yellow cloth, dust jacket with spine slightly toned, Pharos Editions, 1932; The Last Bread. A Play in one Act, FIRST EDITION, signed by the author on title page and with ALs from the same to a Mr Malcolm loosely inserted, dated April 21, 1931 ["My first published work was 'The Last Bread'. It appeared I think in March 1926 (...) I am sending the book with this letter. Yours sincerely, H. E. Bates"], original paper wrappers, 8vo, Labour Publishing, 1926; Charlotte's Row, FIRST EDITION, NUMBER 96 OF 107 COPIES SIGNED BY THE AUTHOR, tissue guard, bookplate, occasional spotting, original quarter tan morocco with marbled boards, spine lettered in gilt, t.e.g., others uncut and largely unopened, Jonathan Cape, 1931; and one other by the same author (4)