Sansom (William) & Freud (Lucian, Illustrator) The Equilibriad, one of 750 copies, 5 plates by Lucian Freud, title in red and black, cloth backed marbled boards, 8vo, The Hogarth Press, 1948; Sackville-West (Edward) Moore (Henry, Illustrator) Th e Rescue, number 658 of 850 copies, 6 plates by Henry Moore, library stamps on front free end-paper and title, publisher's blue cloth, original dust jacket, tear with loss to spine, rubbed and stained, 8vo, Martin Secker & Warburg, 1945; Baudelaire (Charles) & Rodin (Auguste, Illustrator) Les Fleurs du Mal, limited edition, 6 plates and several text illustrations by Rodin, original dust jacket, royal 8vo, France, Paris, The Limited Editions Club, 1940; Armstrong (Martin) & Ravilious (Eric, Illustrator) Desert, A Legend, lino-cut frontispiece, text illustrations (3 full page), publisher's red cloth, woodcut dust jackets, minor surface dirt, 8vo, Jonathan Cape, 1926; Dickinson (Patric) & Scott (William, Illustrator) Soldiers’ Verse, FIRST EDITION, 12 lithograph plates, original printed boards, original printed dust jacket, slight browning and staining, 8vo, 1945; Orlan (Pierre Mac) & Pascin (Illustrator) Aux Lumières de Paris, limited edition, 6 plates by Pascin, original dust jacket, 8vo, Paris, Georges Crès & Cie, 1925; O’Connor (John) Canals, Barges and People, text illustrations, 22 full page chromolithograph illustrations, publisher's cloth, 8vo, 1950; with 25 others (32)

Chambers (David) Lucien Pissarro Notes on a Selection of Wood-blocks Held at the Ashmolean Museum, Oxford, NUMBER 138 OF 175 PRINTED SETS, 29 woodcut plates printed from the original blocks by the artist, together loosely inserted in original cloth fold-over box, 4to, Oxford, 1980.

Doves Press.- Ruskin (John) Unto This Last, Four Essays on the First Principles of Political Economy, ONE OF 300 COPIES, inscribed on free end-paper before title "ToTheodore Fawkes/with all good wishes on the/most interesting occasion of her life/fr om Emery Walker/September 12th 1911’", bound by Katherine Adams in gilt decorated green morocco, a.e.g., spine faded and toning to edges, 1907; The City Planned, c. 300 copies, 2pp. loosely laid into original brown printed wrappers, 1911, 4to (2)

Dropmore Press.- Cubbin (Thomas) The Wreck of the Serica: A Narrative of 1868, Foreword by H.M.Tomlinson, NUMBER 21 OF 30 SPECIALLY-BOUND COPIES signed by Tomlinson and the artist, from an edition limited to 300, wood-engraved illustrations by John Worsley and printed in colours, original dark blue morocco, gilt, t.e.g., 1950; De Quincey (Thomas) Revolt of the Tartars, NUMBER 13 OF 50 SPECIALLY-BOUND FROM AN EDITION OF 450 COPIES, signed by the illustrator Stuart Boyle, original maroon morocco, gilt, t.e.g., slight rub to bottom edge, 1948, 4to (2)

Gregnog Press.- Llyfr y Pregeth-wr, NUMBER 162 OF 248 COPIES, wood-engraved title vignette and frontispiece by David Jones, printed in red and black, original blue cloth, faded spine and at extremities, fore-edge of upper cover at top right hand c orner and first 3pp with rodent damage, Newtown, 1927; Milton (John) Four Poems, L'Allegro, Il Penseroso, Arcades, Lycidas, NUMBER 213 OF 250 COPIES on Japanese vellum, illustrations by Blair Hughes-Stanton, original red calf blind stamped on upper cover, by the Greynog Bindery, uncut, slightly rubbed, Newtown, 1933; Morgan (William) Psalmau Dafydd, NUMBER 139 OF 200 COPIES, title-page in red and black, initials in red and blue, original orange quarter morocco over red patterned boards, spine rubbed, Newtown, 1929; Davis (W.H.) Selected Poems, NUMBER 253 OF 310 COPIES, woodcut frontispiece, original cloth spine and fore-edges with marbled boards, edges untrimmed, Newtown, 1928; The Elphin Lloyd Jones Memorial Fund, original orange buckram, faded, soiled and slightly bubbled, [Newtown], 1930, v.s. (5)

Hours Press.- Moore (George) Peronnick the Fool, NUMBER 67 OF 200 COPIES signed by the author, Presentation copy from Lady Cunard signed on front free endpaper, original cloth, slightly foxed, Chapelle-Réanville, 1928; Lowenfels (Walter) Apollinai re An Elegy, NUMBER 31 OF 150 COPIES, signed by the author, morocco backed boards, bookplate to inside cover, Paris, 1930; Ellis (Havelock) The Revalation of Obscenity, NUMBER 45 OF 200 COPIES, original half morocco, gilt, spine faded, slightly rubbed, Paris, 1931; Moore (George) The Talking Pine, NUMBER 85 OF 500 COPIES, original printed paper wrappers, bookplate,slightly foxed and worn, Paris, 1931; and 4 others by the Hours Press, v.s. (8)

Kelmscott Press.- Morris (William) Child Christopher and Goldilind the Fair, 2 vol., [ONE OF 600 COPIES], printed in black Chaucer type with red printed marginalia and chapter headings, elaborate wood-engraved title and border to first page, woodcut initials, errata tipped-in at end of vol.1, internally very good, original cloth, lacking part of spine label in vol. 1, slightly rubbed, an attractive pair, [Peterson A35], 1895; Halliday Sparling (H.) The Kelmscott Press and William Morris Master-Craftsman, frontispiece, original holland-backed boards, pages uncut, 1924, 16mo & 8vo (2)

Kent (Rockwell).- Chaucer (Geoffrey) The Canterbury Tales ...Together with a Version in Modern English Verse by William Van Wyck., 2 vol., NUMBER 403 OF 999 COPIES signed by the artist, Middle English and Modern English texts in double column, plat es and illustrations by Rockwell Kent, original gilt-lettered cloth, spines little rubbed and sunned, t.e.g., others uncut, folio, New York, Covici-Friede, 1930.

Rilke (Rainer Maria) Duineser Elegien. Elegies from the Castle of Duino, translated from the German by Vita Sackville-West and Edward Sackville-West, NUMBER 174 OF 230 COPIES, signed by the translators, title in red and black, book designed by Co unt Harry Kessler, woodcut initials by Eric Gill, type designed by Edward Johnston, text in German and English, original vellum-backed boards, spine gilt-lettered, spine very slightly marked, plain dust jacket. spine browned, very slightly frayed, card slipcase, browned and scuffed, 8vo, printed at the Cranach Press for the Hogarth Press, 1931.