BOOKS: George Gordon, "Cartier: A century of Cartier Wristwatches", a De Luxe first edition, published June 1989, edition no. 03084, hardcover

An early 20th century travelling trunk, in burlap with polished spars and steel bands, the interior with removable tray, 48cm high x 77cm wide x 47cm deep

A sterling silver photograph frame, 20th Century, hallmarked for Links of London, Sheffield, of plain design, unused condition, in presentation box, 10.5 x 8cm

A Victorian Alcohol gravity testing kit, 19th Century, in a mahogany case, retailed be J. Robinsons & Sons, Dublin; together with two further boxes (3)

A Chinese enamelled tripod white metal box with cover and stand, early 20th Century, decorated with dragon handles

An Alpha shelving system, designed by Jasper Morrison, manufactured by Alias Italy, late 20th century, laminated green and beech support, with silver steel shelves, 86cm high x 168cm wide x 32cm deep

An Italian maiolica jardiniere, late 19th/20th Century, in typical renaissance style and richly lustre decorated in the manner of Urbino, 33cm diameter

A Russian Fabergé style cranberry glass Easter egg, 20th Century, engraved and gilded on one side in gilt with the Russian Imperial Eagle and monogrammed 'TSAR NICHOLAS II', reproduced in the Modern Russian Republic, 6cm high

A mahogany cased chest of six drawers, circa 1930's, with original brass handles, raised on shaped bracket feet, 99cm high; together with an Edwardian Queen Anne style burr walnut cabinet on cabriole legs, 70cm high (2)

A collection of stick pins, including three with paste-set terminals, a hardstone cameo, a garnet, a diamond-set plaque, a ruby-set plaque and a glass pigeon (8)

A group of cameo jet jewellery, including three pins, three brooches, two pairs of earrings and an unmounted plaque (9)

A lacquered brass table top telescope, early 20th Century, the unnamed 76cm barrel on a folding tripod, mahogany cased with two spare lenses and a fine adjustment tool

A 1980's Boby Trolley, in the manner of Joe Colombo, in green ABS plastic, raised on four wheels, 77cm high

A pair of 18th century style Dutch burr elm wall mirrors, of octagonal form, the bevelled plates with gilt slips, 110 x 84cm (2)

Two framed portrait miniatures of poets, 19th Century, including one of Lord Byron and one of Robert Southey (2)

A George III design over mantel mirror, painted in pale green and parcel gilt, the swagged rosette tablet frieze over a triple plate divided by Corinthian columns, 107 x 185 cm

Brooke (Rupert) Poems, FIRST EDITION, bookplate, half title, light soiling throughout, original dark blue cloth, corners slightly bumped, ownership inscription to front pastedown, 8vo, Sidgwick & Jackson, 1911.

Churchill (Winston Spencer) Lord Randolph Churchill, 2 vol., FIRST AMERICAN EDITION, photoengraved frontispieces, plates (including folding letter facsimile), occasional foxing, book plate on free endpaper, original red cloth gilt, spines slightly f aded, gilt emblem stamped on vol. 2 front cover, Macmillan & Co, 1907-1906; and 1 other ( 3)

Eliot (T.S.) Homage to John Dryden. Three Essays on Poetry of the Seventeenth Century, FIRST EDITION, bookplate, light foxing, original printed cream card wrappers with Vanessa Bell design, light soiling, 8vo, Hogarth Press, 1924; Sweeney Agonistes F ragments of an Aristophanic Melodrama, FIRST EDITION, bookplate, original blue boards, soiling to dust-jacket, some creasing, 8vo, Faber and Faber, 1932: Murder in the Cathedral, FIRST EDITION, original printed wrappers, light fading and creasing, custom box with bookplate, 8vo, Canterbury, H.J. Goulden, 1935; Old Possum's Book of Practical Cats, FIRST EDITION, bookplate, contemporary gift inscription to flyleaf, some overall soiling, original yellow cloth with red illustration by author stamped to upper board, edges untrimmed, dust-jacket price-clipped and soiled, heavy chipping to corners, loss at head, 8vo, Faber and Faber, 1939; and three others (7)

Ellson (Hal) Reefer Boy. Story of Teen-age Drug Addicts, FIRST EDITION, original cloth, slightly frayed and browned dust-jacket, Neville Spearman, 1955; Georgian Poetry 1916-1917, later issue, from Stephen Spender's library with facsimile bookplate, original cloth, rubbed and marked, The Poetry Bookshop, 1922; Mencken (H.L.) Happy Days, 1880-1892, FIRST EDITION, inscribed by the author on front free endpaper ["For Channing Way Jr via his lovely mother 1940"] portrait, paper little toned, original decorated cloth, dust-jacket browned and scuffed, tear at head of spine, New York, Alfred A. Knopf, 1940; Fowles (John) Mantissa, FIRST EDITION, signed by the author on title, original cloth, dust-jacket, small mark on back cover, 1982; Banks (Iain) Walking on Glass, PROOF COPY, signed by the author on title, original wrappers, little rubbed, Macmillan, 1985; Lovesey (Peter) The Staring Man and Other Stories, LIMITED EDITION OF 350 COPIES, this 'one of 12 additional copies [...] for the personal use of the author', signed and inscribed on title, original wrappers, Helsinki, Eurographica, 1988, 8vo; and a quantity of others, modern literature, including several more from Spender's library (quantity)

Fleming (Ian) Octopussy and The Living Daylights, FIRST EDITION, original cloth embossed boards, gilt lettering, original pictorial dust jacket, original price with new price sticker overlapped, [Gilbert A14a], 8vo, Jonathan Cape, 1962; together wi th 8 similar copies (9)

Gide (André) Le Caves du Vatican. Sotie par l'Auteur de Paludes, FIRST EDITION, 2 vol., half-title, lithographed author's portrait by Paul Albert Laurens and tissue guard, original orange paper wrappers, rebound in later brown quarter maroon morocco , with vellum covered boards, gilt title on spine, leaves untrimmed, small tear on upper corner of half-title in vol. 1, minor spotting, intermittent light water staining in both volumes, vellum a little soiled, 8vo, Paris, Editions de la Nouvelle Revue François, 1914.

Greene (Graham) The Ministry of Fear. A Novel, FIRST EDITION, bookplates, original yellow cloth with publisher's device stamped in black to lower board, spine lettered in black, top edge spotted, dust-jacket rather chipped and creased with some wate r staining, loss at foot of front lap, 8vo, William Heinemann, 1943.

Hardy (Thomas) Domicilium, FIRST EDITION, inscribed to 'John Lane from C.K.S. July 12, 23', as issued sewn with purple cord into purple wrappers, upper cover printed in black, preserved in a chemise and blue morocco slipcase with tip-in bookplate, 4 to, [colophon: Privately printed by Clement Shorter for distribution among his friends], [1916].

Ishiguro (Kazuo) Never Let Me Go, NUMBER 261 OF 1000 COPIES, numbered and signed by author, pictorial cloth original slipcase, 2005; An Artist of the Floating World, 1986; The Unconsoled, 1995; When We Were Orphans, 2000, pictorial dust jacket, pris tine condition, 8vo, Faber and Faber, FIRST EDITIONS, signed by author on the title page (4) *** Latest Nobel Laureate in Literature (2017), screenwriter, and short story writer. He was praised by the Swedish Academy as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world". His most famous novels 'The Remains of the Day' and 'Never Let Me Go' were adapted into highly acclaimed films. He has written eight books, which have been translated into over 40 languages.

James (Henry) Transatlantic Sketches, FIRST IMPRESSION, original green cloth, minor wear to extremities, first state binding (green variant cloth) of James's second book, Boston, James R. Osgood and Company, 1875; Roderick Hudson, slightly browned, occasional spotting, original green cloth, spine ends and corners slightly worn, Boston, James R. Osgood and Company, 1876; and The Wings of the Dove, 2 vol., bookplate in vol. 1, original brown cloth, spine lettered in gilt with light wear to tips, t.e. g., others untrimmed, New York, Scribner's, 1902, ALL FIRST EDITIONS, 8vo (4)

Lawrence (D.H.) Lady Chatterley's Lover, FIRST EDITION, NUMBER 117 OF 1000 COPIES SIGNED BY THE AUTHOR, leaves untrimmed, original paper-covered boards, with phoenix motif stamped in black on the front board, printed paper label on spine, hinges st arting, spine and corners rubbed and bumped, 8vo, [Florence], Privately Printed, 1928.

Lawrence (D. H.) Pansies. Poems, FIRST ENGLISH TRADE EDITION, light yellowing, leaves uncut, dark blue 1/4 cloth, patterned paper covered boards, spine lettered in gilt, top edge in gilt, spine ends and corners bumped, slightly spotted, 4to, Martin Secker, 1929. Provenance: Lady Cynthia Asquith'S copy (1887-1960). Writer and anthologist, daughter of 11th Earl of Wemyss and Mary Constance Wyndham. In 1910, she married Herbert Asquith, son of the future Prime Minister. She was Secretary to the author of 'Peter Pan', J.M. Barrie between 1918 and 1937 and her other literary friends included L.P. Hartley and D.H. Lawrence. Asquith wrote novels, edited anthologies, and wrote for children and about the British Royal family. She is best remembered for her anthologies of Ghost Stories including 'My Grimmest Nightmare' (1935).

(Lewis) Sinclair Main Street, FIRST EDITION, FIRST ISSUE, bookplate, original blue boards, title in orange on boards, slightly rubbed, ownership inscription on pastedown, 8vo, New York, Harcourt, Brace and Howe, 1920; Elmer Gantry, FIRST EDITION, FI RST ISSUE, bookplate, original blue boards, title in orange on boards, boards slightly rubbed, 8vo, New York, Harcourt, Brace and Company, 1927 (2)

Proulx (E. Annie) Heart Songs and Other Stories, FIRST EDITION, signed by the author on title-page, original purple cloth, original dust jacket, 'not for resale' stamped to top edge, other edges untrimmed, bookplate to front free endpaper, New York, Charles Scribner's Sons, 1988; The Shipping News, UNCORRECTED PROOF COPY, signed by the author to title-page, original printed wrappers, bookplate to inside front cover, together with letter from the publisher loosely inserted, New York, Charles Scribner's Sons, 1993 [1992], 8vo (2)

Rowling (J.K.) Harry Potter and the Chamber of Secrets, FIRST EDITION, later issue, signed by the author on half-title, original decorated boards, dust jacket, fine copy, 1998; Postcard of Harry Potter and the Hogwarts Express, image from the cover of Harry Potter and the Philosopher's Stone, signed by J.K.Rowling, n.d. v.s. (2) ***A letter of provenance accompanies these items signed by J.K.Rowlings PA Fiddy Henderson stating that this book was one of 5 copies of 'all five Harry Potter books' donated and signed by J.K. Rowling for a fundraising.

Rowling (J.K.) Harry Potter and the Goblet of Fire, FIRST CANADIAN EDITION, signed by the author on the half title, original decorated boards, dust jacket, 8vo, Vancouver, Raincoast Books, 2000. ***Together with COA from the Administrative Director of International Readings at Harbourfront, and the pamphlet from the signing event in October 2000, where J.K.Rowwling gave a rare reading.

###WITHDRAWN### [Rowling (J.K.)].- Harry Potter’s School Books Quidditch Through the Ages by Kennilworthy Whisp, FIRST EDITION, FIRST PRINTING, original soft cover, small 8vo, 2001; with Fantastic Beasts & Where to Find Them by Newt Scamander, F IRST EDITION, FIRST PRINTING, original soft cover, small 8vo, 2001 (2) ***Paperback originals sold for Comic Relief, with net proceeds going to Harry's Books Fund to help needy children in the poorest countries in the world. ###WITHDRAWN###

Shaw (George Bernard) Widowers' Houses, a Comedy...First Acted at the Independent Theatre in London, FIRST EDITION, bookplate of Frank L. Hogan, long inscription by Conan O'Riordan to John Galsworthy on flyleaf, a further inscription by Shaw to E.V. Lucas filling recto and verso of half title, very light overall browning, original blue cloth, gilt lettering, some rubbing to extremities, front hinge cracking, 8vo, preserved in a morocco case by Bennett of N.Y., Henry and Co. 1893. ***The first edition of Shaw's first play, printed in an edition of no more than 500 copies. O'Riordan writes to Galsworthy to excuse his absence from a fundraising event, offering the book to be sold for the benefit of the Royal Literary Fund instead, and suggesting that it could fetch £50. Galsworthy must have passed it to E.V. Lucas, who sent it to Shaw to ask for valuation. Shaw then replied that it is "quite the rarest of my published first edition...I should suggest a reserve price of fifty millions...The printing, which I designed myself, is alone well worth the money; and the paper is of the best. William Morris taught me to be particular about such things".

Shaw (George Bernard) Sixteen Self Sketches, FIRST EDITION, PRESENTATION COPY, portrait frontispiece, 23 plates, original red cloth, close tear to spine jacket, head and foot of spine chipped, 1924; The Apple Cart: a Political Extravaganza, FIRST EN GLISH SEPARATE EDITION, inscribed by the author to his friend Charles Rowley on half title ("To Charles Rowley, from Bernard Shaw, 25th. Dec 1930. Still going strong, Charles, I hope. Love to Madonna"), slight foxing to endpapers, leaves untrimmed, original pale green cloth, title on spine, dust-jacket toned with some minor chipping at head of spine and a split along upper joint, 1930; Androcles and the Lion, Overruled, Pygmalion, FIRST ENGLISH EDITION, leaves uncut, original green cloth, gilt spine, corners slightly bumped, 1916; Misalliance, The Dark Lady of the Sonnets, and Fanny's First Play. With a Treatise on Parents and Children, leaves uncut, original green cloth, gilt spine, corners slightly bumped, light spotting, 1914, 8vo, Constable and Company Ltd.; and one other by the same author (5)

Shaw (George Bernard) Saint Joan: a Chronicle Play, 'Rough Proof - Unpublished' printed on upper cover, last leaf soiled and frayed, original printed wrappers, spine defective, and lower cover lacking, stitching loosening at either end, Sybil Thornd ike's copy, the upper cover bearing the purple stamp of Lewis Casson, in the original green morocco pull-off case, 8vo, Constable, 1924. Provenance: Shaw created the role of Joan for Sybil Thorndike, which proved to be the zenith of her career, as also of her husband Lewis Casson, who directed the play alongside Shaw. The half title is inscribed by Sybil Thorndike ("This is Sybil Thorndike's book & anyone who takes it is a liar & a thief & a murderer to boot […] please return as fast as you can!”) and later by Shaw ("Mr T.J. Keely having apparently disregarded this communication and purloined this book, expects the author to endorse the transaction. Accordingly – G. Bernard Shaw 5/4/24”).

A Collection of Signed Modern Fiction, including Booker Prize Winning Authors: Adichie (Chimamanda Ngozi) Half of a Yellow Sun, FIRST EDITION, NUMBER 245 OF 250 COPIES, title signed by author, green cloth slipcase, 2006; Barnes (Julian) Talking It O ver, FIRST EDITION, title signed by author, 1991; England, England, FIRST EDITION, title signed by author, 1998; Carey (Peter) The Tax Inspector, FIRST EDITION, title signed by author, 1991; True History of the Kelly Gang, FIRST EDITION, title signed by author, Australia, 2000; Chevalier (Tracy) Girl with a Pearl Earring, FIRST EDITION, second state dust jacket, title signed by author, 1999; Desai (Kiran) Hullabaloo in the Guava Orchard,F IRST EDITION, , title signed by author, 1998; Keneally (Thomas) The Place at Whitton, FIRST EDITION, title signed and inscribed, 1964; Lessing (Doris) The Grass is Singing, FIRST EDITION, 1950; Murdoch (Iris) The Nice and the Good, fourth impression, flyleaf signed by author for the New Fiction Society, 1969; The Message to the Planet, FIRST EDITION, title signed by author, 1989; Nailpaul (V. S.) The Middle Passage, FIRST EDITION, signed and inscribed by author, 1962; Ondaatje (Michael) Anil’s Ghost, FIRST EDITION, title signed by author, 2000; Divisadero, FIRST EDITION, title signed by author, 2007; Theroux (Paul) Waldo, FIRST EDITION, title signed by author, 1967; with 16 others by the same authors, all in pristine condition, 8v0 (31)

Tolkien (J. R. R.) Five titles: Farmer Giles of Ham, 2nd impression, colour frontispiece, plate and illustrations by Pauline Baynes, in the original yellow boards with blue decoration and lettering, price clipped dust jacket, spine slightly browned and chipped, 1957; The Adventures of Tom Bombadil and other Verses from the Red Book, FIRST EDITION, original pictorial boards, tail of spine slightly bumped, dust jacket slightly chipped, 1962; Smith of Wooton Major, FIRST EDITION, publisher's boards (without jacket as issued), rubbed, 1967; The Silmarillion, FIRST EDITION, FIRST ISSUE, original blue cloth, title and Tolkien's device stamped in gilt on spine, top edge blue, dust-jacket with red title lettering, 1977; Unfinished Tales, second impression, original burgundy cloth, t.e.r., dust-jacket, 1980, 8vo, George Allen and Unwin; with a copy of The Silmarillion, FIRST EDITION, dust jacket featuring yellow title, pristine condition (6)

Twain (Mark, pseud: Samuel Langhorne Clemens) A Connecticut Yankee in King Arthur's Court, FIRST EDITION, FIRST ISSUE, text illustrations throughout, original pictorial cloth, gilt, inner front hinge cracked making fee endpaper and frontispiece loos e, hint of wear at extremities, New York, 1889; The £1,000,000 Bank-Note and Other New Stories, FIRST EDITION, corner of p.201 creased, original pictorial brick red cloth, armorial bookplate to front paste-down, 1893, 8vo, Charles L. Webster and Co. (2)

Waugh (Evelyn) Vile Bodies, pictorial title page designed by the author, minor spotting to free endpapers, original patterned red and black cloth, spine lettered in gilt, extremities slightly rubbed, 1930; Black Mischief, bookplate, original pattern ed red and black cloth, spine lettered in gilt, light rubbing to extremities, dust jacket with light fraying around head, spine a little darkened, minor chipping to corners and soiling, 1932; A Handful of Dust, frontispiece, light foxing to edges, original patterned red and black cloth, git title on spine, 1934; Helena. A Novel, original blue cloth, dust jacket a little frayed,1956, 8vo, Chapman and Hall; with four other works, ALL FIRST EDITIONS (8)

Williamson (Henry) The Chronicle of Ancient Sunlight, 15 vol., complete set, comprising: The Dark Lantern, 1951; Donkey Boy, 1952; Young Phillip Maddison, 1953; How Dear Is Life, 1954; A Fox Under My Cloak, 1955; The Golden Virgin, 1957; Love and th e Loveless, 1958; A Test to Destruction, 1960; The Innocent Moon, 1961; It was the Nightingale, 1962; The Power of the Dead, 1963; The Phoenix Generation, 1965; A Solitary War, 1966; Lucifer before Sunrise, 1967; The Gale of the World, 1969, ALL FIRST EDITIONS, original cloth or boards, dust-jackets, some frayed or chipped, The Dark Lantern with tears to head and foot of spine, a decent set (8vo)

Wodehouse (P.G.) Mulliner Nights, FIRST EDITION, original cloth, fading to extreme spine ends, otherwise fine, dust jacket with correct advertisements, chipped at spine ends, corners and top-edge of lower panel with slight loss, split to lower fore-c orner of upper panel, some minor edge-wear and small closed tears, Herbert Jenkins, 1933; and two others (3)

Wodehouse (P.G.) Blandings Castle and Elsewhere, FIRST EDITION, FIRST ISSUE, cloth spine sunned, jacket with correct advertisements, a few minor closed tears, Herbert Jenkins, 1935; Lord Emsworth and Others, FIRST EDITION, loss to foot of spine, some small abrasions, original cloth, dust-jackets, [McIlvaine A53a, cf. A50, A57a4], Herbert Jenkins, 1938; and two other Blandings, 8vo (4)

Capa (Robert) Omaha Beach D-Day, June 6th, 1944, gelatine silver print, printed under the direct supervision of Cornell Capa, 40 x 50.5 cm.

Children's Books.- Stevenson (Robert Louis) Treasure Island, NUMBER 96 OF 250 COPIES, 12 colour plates by John Cameron, captioned tissue guards, tail-pieces, original pictorial cloth, gilt, t.e.g., others uncut, Cassell, 1911; Carroll (Lewis) Alice' s Adventures in Wonderland; Through the Looking-Glass, together 2 vol., colour illustrations by Tenniel, cloth-backed patterned boards, illustration on front covers, New York, Random House, 1946, 8vo (3)

Erotica A collection of 73 bookplates, 50 erotic, some signed and limited by Frank Petersen, Evald Okas, Raymond Prévost, C.Costanini, and others, black, white and coloured, French, Hungarian, Italian, n.d. v.s. (73)

Potter (Beatrix) The Tale of Squirrel Nutkin, FIRST EDITION, first or second printing, 27 full-page colour illustrations by the author, original dark blue boards, circular inlaid colour illustration, some fading to spine, pictorial endpapers with in scription dated 'Xmas 1903', 16mo, Frederick Warne, 1903.

Potter (Beatrix) The Tale of Benjamin Bunny, FIRST EDITION (the first two impressions are identical, with the word 'muffetees' on page 15 incorrectly spelt 'muffatees'), 26 full-page colour illustrations by the author, original boards with oval illu stration inlaid, minor soiling, pictorial endpapers with inscription dated 'Xmas 1904', 16mo, Frederick Warne, 1904.

Potter (Beatrix) The Tale of Mr Jeremy Fisher, FIRST EDITION, gift inscription to half title, 27 colour full-page illustrations, original green boards with colour illustration inlaid, light foxing to top edge, corners slightly worn, pictorial endpa pers, 16mo, Frederick Warne, 1906.

Potter (Beatrix) The Tale of Tom Kitten, FIRST EDITION, (the first three impressions are identical), half title, 26 colour full-page illustrations and a title vignette by the author, original grey-green boards with colour illustration inlaid, light foxing to edges, corners slightly worn, pictorial endpapers, original printed tissue dust-jacket a little frayed and with 1cm chip at head, 16mo, Frederick Warne, 1907.

Potter (Beatrix) The Tale of Jemima Puddle Duck, FIRST EDITION, vignette to title page, colour frontispiece and 26 further colour illustrations all by the author, original green boards with onlaid colour printed illustration, spine 1cm defective at head, minor wear, 16mo, Frederick Warne, 1908.

Potter (Beatrix) The Roly-Poly Pudding, FIRST EDITION, second issue, colour printed title page and frontispiece, with 17 full-page colour printed illustrations, light toning, original red cloth with square illustration, inscription to flyleaf, 8vo, Frederick Warne, 1908.

Potter (Beatrix) The Tale of The Flopsy Bunnies, FIRST EDITION, half title, 27 colour full-page illustrations, very light creasing, original green boards with colour illustration inlaid, spine faded, pictorial endpapers, 16mo, Frederick Warne, 1909 .

Potter (Beatrix) The Tale of Mrs Tittlemouse, FIRST EDITION, FIRST PRINTING, inscription to half title, 27 colour full-page illustrations, stitching a bit weak, original blue boards with colour illustration inlaid, some fading to spine, pictorial en dpapers, 16mo, Frederick Warne, 1910. ***The half title is inscribed by the author's father "Harriette A. Simpson from Rupert Potter, Sep. 1, 1910".

Potter (Beatrix) The Tale of Timmy Tiptoes, FIRST EDITION, 27 full -page colour printed illustrations and a title-vignette, original green boards with inlaid colour illustration, pictorial endpapers, short split at top of lower joint, 16mo, Frederi ck Warne, 1911.

Potter (Beatrix) The Tale of Mr Tod, FIRST EDITION, first or second printing, 15 full -page colour printed illustrations and numerous black and white line drawings throughout, original gray boards with inlaid colour illustration, pictorial endpap ers, spine slightly tanned, 16mo, Frederick Warne, 1912.

Potter (Beatrix) The Tale of Samuel Whiskers or The Roly-Poly Pudding, FIRST EDITION, frontispiece and 17 colour illustrations, original red boards with inlaid colour illustration, lettering to spine a bit rubbed, illustrated endpapers, 16mo, Freder ick Warne [1926]; The Tale of Pigling Bland, FIRST EDITION, half title, 15 full-page illustrations in colour and black and white line drawings throughout, some overall spotting, original dark pink boards with inlaid illustration, some fading, pictorial endpapers, 16mo, Frederick Warne, 1913 (2)

Potter (Beatrix) The Tale of Johnny Town-Mouse, FIRST EDITION, FIRST ISSUE, ownership inscription to half title, colour illustrations throughout, original light green boards with inlaid colour illustration, pictorial endpapers, some fading, with cli pped signature of the author ('Beatrix Heelis') loosely inserted, 16mo, Frederick Warne, [1918].

Potter (Beatrix) The Tale of Little Pig Robinson, FIRST EDITION, colour frontispiece, 5 colour plates and 22 further full-page illustrations, original blue cloth, illustrated endpapers, later issue dust-jacket with pictorial onlay, 8vo, Frederick W arne, 1930.

Rackham (Arthur, Illustrator) Barrie (J.M.) Peter Pan in Kensington Gardens, 50 tipped-in colour plates, captioned tissue guards, text illustrations, little spotting, original decorated cloth, gilt, little rubbed, front hinge cracked, n.d.; Stevenso n (Robert Louis) Treasure Island, 12 colour plates, text-illustrations by Edmund Dulac, original cloth, faded and little rubbed, Ernest Benn, 1927; Stawell (Mrs Rodolph) & Detmold (E. J., Illustrator) Fabre's Book of Insects, 12 tipped-in colour plates, captioned tissue guards, original decorated cloth, gilt, New York, Tudor Publishing Company, 1936, 4to (3)