Illustrated Limited Editions.- Cocteau (Jean) Le Coq Et L’Arlequin, 1 OF 55 COPIES, text illustrations by P. Picasso, publisher's paper wrapper, corner chipped, spine head and hinge worn, staining, small 8vo, Paris Editions de la Sirène, 1918; Giraudoux (Jean) Hélène & Touglas, ou Les Joies de Paris. Nouvelle, NUMBER 383 OF 1000 COPIES, half title, engraved frontispiece, plate and 3 text illustrations, tissue guards, inscription on flyleaf to Dutch publisher Alexandre Stols by L. van Boquert, light marginal toning, original blue wrapper, spine and edges bleached, small 8vo, Paris, Au Sans Pareil, 1925; Carew (Thomas) & Laboureur (Jean Emile, Engraver) A Rapture, NUMBER 155 OF 375 COPIES, second preliminary blind stamp, engraved frontispiece and plate by J.E. Labourer, publishers batik boards, original dust jacket, some chipping and small tears, spine toned, staining, 8vo, The Golden Cockerel Press, 1927; Gascoyne (David) Poems 1937-1942, FIRST ILLUSTRATED EDITION, illustrated title, 5 chrome lithograph plates by Graham Sutherland, cloth backed picture boards, edges rubbed, original dust jacket, chipped and torn, spine perished, cloth exposed, 8vo, Editions Poetry London, 1943; Wilde (Oscar) Salomé, NUMBER 77 OF 285 COPIES, lithograph title and half title, additional title in red and black, 16 lithograph plates by Aubrey Beardsley, last few text leaves browned, blue leather, pages uncut, 4to, Paris,  Paris & Londres, 1920; Tatius (Achilles) & Burton (William, Translator) The Loves of Clitophon and Leucippe,  NUMBER 6 OF 394 COPIES, title in red and black, original illustration on title, by John Buckland-Wright, occasional light spotting, brown leather, 4to, New York: Bernard Guilbert Guerney, 1923; Verhaeren (Émile) Les Heures D’Après-Midi, NUMBER 239 OF 270 COPIES, coloured text wood-cuts, text leaves loose, original paper dust wrapper and jacket, featuring title, in original pictorial slipcase, jacket toned and stained, slipcase torn with one board loose, 4to, Bruxelles, À l'Enseigne du Framboisier, 1923 (7)